||Lydia Baird is a Brooklyn-based designer and co-founder of Ego Sum Terra. She is pursuing a Textile
Development and Marketing degree at FIT, while also working as a textile consultant
for Sundar, a digital B2B marketplace for the fashion industry. She is a member of
the Natural Dye Garden and American Association of Textile Colorists and Chemists
clubs at FIT and volunteers at Earth Matter, a local composting facility. Through
her work as a designer, Baird experiences firsthand the amount of textile waste in
industry. She sees a solution in closed-loop production theories from a favorite book: McDonough
and Braungart’s Cradle to Cradle: Remaking the Way We Make Things. Upon learning that cotton and other organic fibers could be composted, she immediately
saw an opportunity for action. This commitment is the meeting of her two worlds and
a chance to create a closed loop at FIT. Prior to FIT, Baird studied costume design
and Spanish at Middlebury College.
||Anna Blume specializes in art and its multiple meanings within the ancient Americas. She is
currently researching monumental pyramids, earthworks, and fine stone carvings from
the Mississippi and Ohio River valleys. She received her PhD in the History of Art
at Yale University in 1997 and has been teaching at FIT since 2001.
||Originally from London, Sass Brown established herself as a designer with her own signature collection, which sold in
Canada and the U.K. As a researcher, writer, and educator, her area of expertise is
ethical fashion in all of its various expressions, from slow design and heritage craft
skills to recycling, reuse, and alternative business models. She has published papers,
spoken, taught, and advised women’s cooperatives, educational institutions, governmental
agencies, nongovernmental organizations, small and medium enterprises, and the creative
industries around the world on the topic of sustainable design. Brown communicates
and promotes the best in ethical fashion design, through a multitude of media—most
notably her books Eco Fashion and ReFashioned, http://www.ecofashiontalk.com/, articles, and social media.
||Ronald Eligator brings integrated and sustainable design approaches to the practice of architectural
acoustics. He has more than 30 years of experience in acoustic design and noise control
for music and drama performance facilities, screening rooms, broadcast and recording
facilities, houses of worship, conference facilities, and commercial office space.
Recent project experience includes the House of Commons of the Parliament of Canada;
the U.S. Embassy in Mexico City; the Museum of Tolerance in Jerusalem; New York City
Hall’s City Council chamber; NBC’s The Tonight Show Starring Jimmy Fallon; and NBC’s Late Night with Seth Meyers. Among other accomplishments, Eligator has developed sophisticated computer modeling
approaches to speech intelligibility analysis for large, reverberant spaces; and designed
cost-effective sound barrier construction for broadcast and performing arts facilities
using sustainable materials. He mentors early career acoustic and architectural professionals
in his firm, and has lectured at numerous consulting firms, universities and professional
||Keith Ellenbogen is an award-winning underwater photographer with an emphasis on environmental conservation.
He is a senior fellow with the International League of Photographers, is a fellow
with the Explorers Club, is the 2015-16 Center for Art Science and Technology Visiting
Artist at the Massachusetts Institute of Technology, and is currently Fulbright Alumnus-in-Residence
for the Greater New York Chapter. Ellenbogen’s work has been recognized within the
2015 Communication Arts Photography Annual Magazine, and has won the 2015 PX3 Photography
Award, the 2015 Audubon Photography Award, and the 2013 Nature’s Best Oceans Photography
Competition. His photography has been widely published in series of books for Houghton
Mifflin Harcourt, in magazines, and as part of outdoor advertising campaigns. A selection
of Ellenbogen’s public lectures on conservation photography was held at Museum of
Science Planetarium. He holds an MFA from Parsons School for Design and was a U.S.
Fulbright Fellow in Malaysia. Ellenbogen is a member of the FIT Sustainability Committee
and the FIT Sustainable Council. His website can be viewed at http://bluereef.com/.
||Oliver Kellhammer is an independent artist, writer, and researcher, who seeks through his botanical
interventions and social art practice to demonstrate nature’s surprising ability to
recover from damage. His recent work has focused on the psychosocial effects of climate
change, cleaning up contaminated soils, reintroducing prehistoric trees to landscape
damaged by industrial logging and cataloging the ecology of brownfield ecologies.
He currently works as a lecturer in sustainable systems at Parsons School of Design
in New York City.
||Donald Lee began his career in the United Nations at the organization’s regional headquarters
in Bangkok. He later moved to New York to the Division for Social Policy and Development
to head its work on poverty and employment—key development issues that defined his
major contributions as an economist in the United Nations. Donald helped establish
the Youth Employment Network in 2001 and was—until his retirement from the United
Nations in 2011—a member of its steering committee. He went on to head the Social
Perspectives on Development branch, which focuses on issues of social development,
in particular, poverty eradication and employment. In 2008, in recognition of his
commitment and contributions to global poverty issues, he was seated on the International
Committee for October 17, which promotes and supports the United Nations International
Day for the Eradication of Poverty. He has been president of the committee since 2012.
More recently, in 2014, he was appointed to the advisory group on education diplomacy
for the Association for Childhood Education International. Before joining the United
Nations, he taught economics and business management at Deakin University in Australia.
He is an advocate for poverty eradication, social justice, and environmentally sustainable
economic development through his research, publications, and blog. Lee has a PhD in
economics from University College London.
||Seema Pandya is an artist and an accomplished sustainability consultant who explores the intersections
of sustainability, art, and the built environment. When filtered through her own personal
experience with nature, music, and the boundaries of perceived reality, she is able
to create visual art that emulates a material’s life cycle story. Pandya’s work focuses
on two predominant themes: universal principals of physics and environmental sustainability.
Over the years she created a variety of work ranging from large interactive kinetic
sculptures, slatted light sculptures, site-specific installations, public street art,
and amoeba-shaped fractal paintings that often use reclaimed discarded materials.
Architectural and organic forms are used as she explores the boundaries between the
audience, and the manmade, and natural world. Pandya has more than 10 years of experience
in the environmental building industry as a consultant and senior sustainability manager
at YR&G, a strategic sustainability consulting firm. An interior designer by training,
Pandya has expertise in creative green building strategies, design assistance, construction
best practices, LEED coordination, interior architecture, and green building education.
She teaches and presents sustainability-related topics to a wide range of professional
||Ajoy K. Sarkar holds undergraduate degrees in chemistry and textile chemistry from the University
of Mumbai, and MS and PhD degrees in textile sciences from the University of Georgia.
His expertise includes fibers, textile coloration, finishing, product development,
textile testing and analysis, and application of textile technology to design. His
areas of research are sustainable textiles and smart protective textiles. Sarkar is
author and co-author of numerous publications and research abstracts presented at
national and international conferences. He also serves as an associate editor for
the AATCC Journal of Research and is a member of the International Textile and Apparel Association.
||William Sharples is a founding partner of SHoP Architects. Since 1996, SHoP has modeled a new way
forward with our unconventional approach to design. At the heart of the firm’s method
is a willingness to question accepted patterns of practice, coupled with the courage
to expand, where necessary, beyond the architect’s traditional roles. Sharples has
been at the center of this collaborative practice for 20 years, leading educational
projects and technology initiatives across the studio. He has served as lead partner
on many of SHoP's most prominent projects, including the Botswana Innovation Hub,
Google headquarters, the award-winning Barclays Center in Brooklyn, as well as the
new academic building planned for FIT. Beyond the studio, Sharples is a powerful advocate
for the role of contemporary technologies as tools to promote humanist values through
design. He recently completed the development of a laboratory space and integrated
curriculum for a robotics program at the Benchmark School in Media, PA. Sharples’
dedication to moving the profession forward continues in his commitment to lecturing
and teaching, where he brings SHoP’s message—about the unity of technological invention,
artistic inspiration, and public responsibility—to students across the country.
||Lucy Slivinski is a Chicago artist whose inspirational works have been created from recycled materials
and found objects. These methods support a green initiative, one that she has followed
for over two decades. This past year Slivinski has had two one-person exhibitions
at the 300 South Riverside Plaza in downtown Chicago, as well as a one-person show
titled Sizzle at Mana Contemporary, and another at the Chicago Academy of Music titled Rebirth. This past summer Slivinski had a one-person show at Packer Schopf Gallery in Chicago
titled Soul Touch. She has work in many private and public collections and has been written about in
Art in America, The New York Times, Sculpture Magazine, Chicago Interiors, and Luxe Magazine. She holds an MFA from Cranbook Academy of Art and a BFA from Northern Illinois University.
Her website can be viewed at http://www.lucyslivinski.com/.
||Willa Tsokanis is a hard-working student pursuing her bachelor’s degree in Textile Development and
Marketing at FIT. She has two minors—one in Ethics and Sustainability and one in Spanish.
She is working on a revolutionary research project with the goal of turning FIT’s
cotton muslin waste into usable and nutrient-rich compost. She is also leading a team
of students to promote environmental sustainability and ethics in the fashion industry
and in the greater community. She strives to create a natural conversation that promotes
beauty, growth, and mindfulness in every aspect of the fashion industry.
||Gaia Vince is a writer and broadcaster specializing in science and the environment. She has
been the front editor of the journal Nature Climate Change, the news editor of Nature, and online editor of New Scientist. Her work has appeared in newspapers and magazines in the U.K., the U.S., and Australia,
including The Guardian, Science, Scientific American, and Australian Geographic. She has a column, Smart Planet, on BBC Online and devises and presents science programs
for BBC radio. Her first book, Adventures in the Anthropocene: A Journey to the Heart of the Planet We Made, won the Royal Society Prize for best science book in 2015. She blogs at http://wanderinggaia.com/ and tweets at @WanderingGaia. She lives in London. Photo credit for headshot: Matthew Lincoln
||Joelle Williams is currently an adjunct professor at LIM College as well as at FIT. Williams has
more than 20 years of retail experience in retail store operations. Currently she
is completing an MBA in strategic design at Philadelphia University. Her research
interest has led her to examine our relationship and behavior toward apparel over
consumption; she is looking to ignite a lovefest between us and our wardrobes, one
piece at a time.