March 5 – March 30, 2019
The Traphagen School: Fostering American Fashion explored the legacy of one of the first institutions dedicated to educating fashion industry professionals in New York City. The impact of the school, in operation from 1923-1991, will be explored through an introduction to founder Ethel Traphagen, the main philosophies of the school, and its lasting influence. Highlights include ensembles by Geoffrey Beene and Anne Klein, evening wear by Luis Estevez and James Galanos, and illustrations by Antonio Lopez.
This exhibition, the first dedicated to the school, focused on the Traphagen methods of design-by-adaptation and experimentation, both of which are still used in design education and the fashion industry today. The Traphagen School also included never-before seen garments from the school’s study collection, as well as photographs, publications, and advertisements that chronicle the creative environment that Ethel Traphagen created for her students.
February 6 – February 16, 2019
X-RAYS of Balenciaga, Chanel, Dior, and Givenchy is the result of a collaboration between the students of FIT’s MFA Fashion Design
program and The Museum at FIT. The project is part of a course entitled “Fashion Creation
3 - Design Archaeology,” which centers on the concept that in order to move design
forward, it is of utmost value to know where it has been.
The students were divided into four groups, and then each group was tasked with producing a replica of a couture garment from a leading fashion house: Balenciaga, Chanel, Dior, or Givenchy. The original garments, housed in The Museum at FIT collection, were carefully researched by the students. In addition to creating the line-for-line replicas, the students gained a deep understanding of the brand’s heritage. They then developed a contemporary, technology-driven collection.
The display of process-based design work highlights each student’s personal development, resulting in a fully realized look and an advertorial that completes their vision and projects a new direction for each house.
Gallery FIT & Other Locations
November 19, 2018 – January 26, 2019
Expressions of Civility is the annual Fashion Institute of Technology faculty/staff exhibition. This year,
for the first time ever, the faculty/staff show will include student work. The theme
was chosen in order to support and expand upon President Dr. Joyce F. Brown’s campus-wide
initiative on civility, which culminated in October with Civility Week. All of the
work featured in this multimedia exhibit will revolve around
this meditation on civility:
What does it mean to be civil in a world that is increasingly coarse and unkind? In an era during which personal attacks and inflammatory positions have superseded dialogue and debate, how do we seek to understand that which separates us? How do we build connections that increase empathy, inclusivity, knowledge, and community? Civility, and the ability to reconcile our differences for the greater good, are at the very root of a democratic society. Civility encourages forward movement, it moves us past our points of conflict, it fuels progress. Ultimately, it's the only thing that ever has.
Other dates/locations for the exhibit include:
November 14th, 2018 - October 2019: Lynn and Carl Goldstein Gallery, Feldman Center, Ninth Floor (Faculty/Staff Work)
November 19th, 2018 - March 31, 2019: Gladys Marcus Library, Fifth and Six Floors (Student Work)
October 20 – November 10, 2018
The Italian Way presented paintings and sketchbooks created by students who were participants in FIT’s month-long study abroad program in Florence, Italy. The students – sophomores, juniors, and seniors – werefrom the Fine Arts, Illustration, Packaging Design, and Graphic Design departments within the School of Art and Design at FIT. The goal of the abroad program was to build a bridge between the art of the Italian Renaissance and these young, contemporary artists.
Students were taught to paint with egg tempera, the medium of choice for many Renaissance artists. Egg tempera was then used to create all of the paintings in this exhibition, though students were not required to produce a finished painting. Instead, it was important that they experience first-hand what the artists of the Renaissance did to create their masterpieces. Through the process, students gained a better understanding and enhanced appreciation of the work and the craftsmanship of artists during 15th-century Italy.
September 15 – October 6, 2018
The work of FIT students and faculty took center stage in the Gallery FIT exhibition Crafting Change. Organized by the Textile/Surface Design Department in conjunction with New York Textile Month, the works featured in Crafting Change used long-established techniques in a modern context to explore the shifting boundaries between art, design, and technology. Combining hand-crafting techniques with digital processes preserves tradition while pushing textiles into the future. Projects bridging science and textiles have the potential to revolutionize the fashion and textile industries, leading us to a more sustainable world. These works were promising examples of how FIT is successfully encouraging interdisciplinary mergers of craft, technology, and sustainability in order to usher textile arts into the 21st century.