Office Location: Business and Liberal Arts B650
Phone: 212 217.4673
Dr. Werbel is the recipient of fellowships and scholarships from numerous institutions,
including the Frick Center for the History of Collecting, Smithsonian American Art
Museum, Gilder Lehrman Institute of American History, and Metropolitan Museum of Art.
She served as a Fulbright Scholar for 2011-2012 at Guangdong University of Foreign
Studies in Guangzhou, China, where she taught American studies and art history courses
to graduate and undergraduate students, and lectured throughout the mainland on topics
including censorship. Her self-published book, Lessons from China: America in the Hearts and Minds of the World’s Most Important
Rising Generation (2013), reflects on these cross-cultural experiences.
BA, Harvard and Radcliffe Colleges
PhD, Yale University
View Dr. Werbel's CV (PDF)
Lust on Trial: Censorship and the Rise of Obscenity in the Age of Anthony Comstock (New York: Columbia University Press, 2018).
Lessons from China: America in the Hearts and Minds of the World’s Most Important Rising Generation (Self-published. Printed by CreateSpace, 2013).
Thomas Eakins: Art, Medicine, and Sexuality in Nineteenth-Century Philadelphia (New Haven and London: Yale University Press, 2007). Read reviews.
“Should She Stay or Should She Go?The uplifting, but ultimately cynical saga of Fearless Girl” 3rd Dimension (January 08, 2018).
“Imagining the Future of Monuments to the Confederacy,”Sculpture Review 357 (Winte 2017).
“Removing Monuments Won’t Fix our Problems,”History News Network (October 8, 2017).
Book Review. Ben Shahn’s New Deal Murals: Jewish Identity in the American Scene, Diana L. Linden. (Detroit: Wayne State University Press, 2015).
In Panorama: Journal of the Association of Historians of American Art 3.1 (Summer, 2017).
“Lifting the Lid on Cigar Boxes at Winterthur”Panorama: Journal of the Association of Historians of American Art 2.2 (Fall, 2016).
“For Our Free Speech, We Have Censors to Thank,”The Chronicle of Higher Education LXII, no. 3 (September 18, 2015): A56.
"'The Crime of the Nude: Anthony Comstock's Raid on the Art Students League of New
York and the Origins of Modern American Obscenity" Winterthur Portfolio 48, no. 4 (Winter, 2014): 249-282
Book Review. An Eakins Masterpiece Restored: Seeing “The Gross Clinic” Anew, edited by Kathleen A. Foster and Mark S. Tucker (Philadelphia Museum of Art, 2012). In The Pennsylvania Magazine of History and Biography 138 (April, 2014): 224-226.
Book Review. Bonnie Tocher Clause. Edward Hopper in Vermont, Hanover and London: University Press of New England, 2012. Vermont History Journal 81, no. 1 (Winter/Spring, 2013): 126-128.
“Tales from the Vault,” Common-Place Journal (October, 2010).
“Thomas Eakins: Last of the Art Crusaders,” in Kathleen A. Foster, ed., Thomas Eakins’ Drawing Book (New Haven: Yale University Press, 2005): 27-44.
‘“For Our Age and Country,’ Nineteenth-Century Art Education at Central High School,” in Central High School Alumni Exhibition (exh. cat., Philadelphia: Woodmere Art Museum, 2002): 6-12.
“Thomas Eakins’s Early Years,” in Thomas Eakins: American Realist (exh. cat., Philadelphia: Philadelphia Museum of Art, 2001): 1-12.
“The Foley Food Mill,” in Jules David Prown and Kenneth Haltman, eds., American Artifacts: Material Culture Theory and Method (East Lansing: Michigan State University Press, 2000): 229-242.
“Art and Science in the Work of Thomas Eakins: The Case of Spinning and Knitting,” American Art 12, no. 3 (Fall, 1998): 31-45.
“Lust on Trial,” Amagansett Free Library, August 25, 2018.
"Lust on Trial" History Book Festival, Lewes DE, September 29, 2018.
“John Haberle’s Bachelor’s Drawer: Public and Private (Still) Life in 1894,” Center for Advanced Studies in the Visual Arts, National Gallery of Art, October 19, 2018.
“The Past, Present, and Future of American Free Speech: A Conversation with Nadine Strossen and Daniel Levinson-Wilk,” Fashion Institute of Technology, October 23, 2018.
"Lunchbag Talk: Lust on Trial," Smithsonian American Art Museum, November 15, 2018.
"New York City Defense Attorneys, Artists, and the Emergence of the First Amendment,” New York City Bar Association, November, 2018.