fb-pixel
skip to con tent

In this section

Alexander Nagel, PhD

Assistant ProfessorProfessor Alexander Nagel

Office Location: Business and Liberal Arts Center, Room B645
Phone: (212) 217-4642
Email: [email protected]
Twitter:
@Dr_Alex_Nagel

Professor Nagel is actively involved in the research and publication of materials from fieldwork in Iran (Persepolis, Susa, Pasargadae) and Greece. Born and raised in Berlin, Germany, he teaches also on the archaeology and legacies of ancient sites, the history and development of polychromy studies, the role of surface decorations and paint on monuments in the Achaemenid Persian Empire, ceramic containers, coroplastic industries and technologies in ancient Greece, Mesopotamia, Iran and South Arabia. He also writes about and teaches about the reception of ancient cultures in the New World. A recipient of many international awards, research grants and fellowships, Dr. Nagel has published articles for the Oxford Handbook of Ancient Iran, and other prestigious publications. As a research associate with the National Museum of Natural History at the Smithsonian Institution in Washington, D.C., Dr. Nagel curated a number of exhibitions and research projects, focusing on the cultures and the legacies of the ancient Mediterranean, Arabia, the Middle East and Central Asia in Washington, D.C.

Education

MA, Humboldt-Universitaet Berlin (Germany) 
PhD, University of Michigan, Ann Arbor

Grants

American Philosophical Society 
Smithsonian Institution
Archaeological Institute of America
New York University, Washington, D.C. Campus
DAAD (German Academic Foreign Exchange Program)

Selected Publications

“Painters’ Workshops in the Ancient Near East. A Reassessment,” in S. Gondet ed. L'Orient est son jardin. Hommage à Rémy Boucharlat. Leuven: Peeters (2019): 377–386.

“Research on Color Matters: Towards a Modern Archaeology of Ancient Polychromies,” in B. Bock von Wuelfingen ed. Science in Color. Visualizing Achromatic Knowledge. Berlin: De Gruyter (2019): 45–58.

“World Heritage in Iran: Perspectives on Pasargadae by A. Mozaffari ed.,” (2014). Iranian Studies 51: 161-17, 2018.

“Painted Plaster and Glazed Brick Fragments from Achaemenid Pasargadae and Persepolis, Iran,” (co-authored with E. Aloiz and J. Douglas), Heritage Science 4.3, 2016.

“Down to Earth in Arcadia. Terracotta Figurines from a Sanctuary of Demeter and Kore at Tegea, Greece” In: E. Lafli, A. Muller, eds. Figurines de terre cuite en Méditerranée grecque et romaine. Septentrion. Presses Universitaires: 425-430, 2015.

“Capturing the History of Persepolis: The Squeeze as Tool in Art History and Archaeology,” in: M. McQuaid and C. McCarty, eds. Tools: Extending Our Reach. New York: Cooper Hewitt Museum. Exhibition Catalog: 86-87, 96, 100-101, 2015.

“Color in Ancient Near Eastern and Egyptian Sculpture,” in: J. Stubbe-Ostergaard, ed. Transformations – Classical Sculpture in Color. Exhibition Catalog. Ny Carlsberg Glyptotek, Copenhagen: 130-145, 2014.

“Excavations in an Archive. An Update on the Ernst Herzfeld Online Resources at the Freer|Sackler in Washington, D.C.,” in: J. Gonnella and B. Finster, eds. A Hundred Years of Excavations in Samarra. Wiesbaden: Reichert: 20-29, 2014.

“Crafting Glass Vessels: Current Research on the Ancient Egyptian Glass Collections in the Freer Gallery of Art” Proceedings from a Workshop by the New Archaeological Research Network for Integrating Approaches to Ancient Material Studies (NARNIA): 659-671 (co-authored with B. McCarthy and S. Bowe), 2013.

“Color and Gilding in Achaemenid Architecture and Sculpture,” in: D. Potts, ed. The Oxford Handbook of Ancient Iran. Oxford: Oxford University Press: 596-621, 2013.

“Ernst Herzfeld,” “Kuh-e Kwaja,” “Persepolis,” in: B. Helwing, P. Rahemipour, eds. Teheran 50. Eine Ausstellung im Museum fuer Islamische Kunst in Berlin, 1.12.2011 bis 28.2.2012. Mainz: Zabern: 42-65 and 171-173 (in German), 2012.

“The Sasanians” in: H. Evans, ed. Byzantium and Islam. Age of Transition. An Exhibition at the Metropolitan Museum of Art. Metropolitan Museum of Art. (World Book Award Winner, Tehran, Iran), 2012.

“Enduring Legacies from the Caspian Sea: Ancient Iranian Ceramics,” Orientations 43.7 (October): 64-66, 2012.

“Encountering the World of Aphrodite on the Western Greek Mainland” in: A. Smith and S. Pickup, eds., Aphrodite Revealed. Leiden: Brill: 235-250, 2010.

“Colouring the Dead: New Investigations on the History and the Polychrome Appearance of the Tomb of Darius I at Naqsh-e Rostam, Fars,” in: L. Weeks, ed. Death, Burial and the Transition to the afterlife in Arabia and adjacent regions. Proceedings from the conference in the British Museum, London, November 27th -29th 2008. Walnut Creek: Left Coast: 303-12 (co-authored with H. Rassaz), 2010.

“Searching for the Gods at ancient Akarnania: New Evidence from a Ritual Deposit near Stratos, Greece,” Anodos. Studies of the Ancient World 6-7/2006-2007: 289-297, 2009.

“On Women’s Festivals and Piglets in ancient Tegea, Peloponnese,” in C. Mattusch, A. Donohue et al. eds. Common Ground: Archaeology, Art, Science and Humanities. Proceedings of the 16th International Congress of Classical Archaeology, Boston, August 23-26, 2004. Boston: 49-51, 2006.

Selected Conferences Organized

“Achaemenid Persian Art and Architecture in the Museum,” CAA 107th Annual Conference Panel, New York City (Partner: M. Rugiadi, Metropolitan Museum of Art, Islamic Art), February 2019

“New Approaches to Cave and Worship in the Ancient Mediterranean," Colloquium at the Annual Meeting of the Archaeological Institute of America, Boston (Partner: S. Katsarou, Hellenic Ministry of Culture), January 2018

“Digital Media and Cultural Heritage Preservation,” New York University, Washington, D.C. (Partner: Spanish Embassy, Washington, D.C.), June 2016

“The Itinerant 'Archives' of the World: Archaeologists, Objects and Values on the Move,” Theoretical Archaeology Group, Conference Session, New York University (Partner: G. Flouda, Heraklion Museum, Greece), May 2015

“Dialogues on Heritage: Values, Vessels and Philosophies from the Ancient World to Today,” Italian Embassy, Washington, D.C., May 2015

Selected Public Lectures

“Painting Achaemenid Persian Walls: New Research on Fourth Century BCE Palace Decorations at Persepolis and Susa, Iran,” International Colloquium, Association Internationale pour la Peinture Murale Antique, Naples, Italy, September 2019

“Developing an Archive on Ancient Greek Art in Washington, D.C.: Ancient Mediterranean Collections in the Smithsonian Institution,” Paros, Greece, June 2019

“Achaemenid Persian Material Culture in Berlin: An Introduction and Recent Investigations,” Bridging the Gap. Disciplines, Times, and Spaces in Dialogue. A Conference, Broadening Horizons 6, Berlin, Germany, June 2019

“Gisela Richter and Edith Porada on Achaemenid Persia: Curating the Old World in 20th Century New York City,” International Workshop “Collectors, Curators and Cataloguers: Hidden Women in Archaeology in the 19th and 20th Centuries,” University of Reading, June 2019

“Teaching with Museum Collections in Manhattan. The Art History and Museum Professions Program at the Fashion Institute of Technology in New York City,” Workshop “Teaching with Collections,” University of Reading, June 2019

“Safeguarding Yemen's Past, Present, and Future” Georgetown University, Washington, D.C., December 2018

“Challenges Facing Yemen’s Millennia-Long Cultural Heritage” (Roundtable) MESA Annual Meeting, San Antonio, Texas, November 2018

“Pots and Painters: Ceramic Containers and Craftsmen between the Mediterranean and Central Asia,” Invited Talk, National Hellenic Research Foundation & Getty Foundation Connecting Art Histories Program, Athens, Greece, October 2018

“The Mineral Universe of Elamite Susa and Achaemenid Persepolis,” International Conference “Paleopersepolis: Towards an Environmental and Socio-economic History of Ancient Persis,” Christian-Albrechts University, Kiel, July 2018 

“Research on Color Matters: Towards a Modern Archaeology of Ancient Polychromies,” International Conference “The Meaning of Color in the Sciences,” Berlin-Humboldt University, July, 2018

“A River Runs Through It: Circulating Materials by the Acheloos River in Ancient Greece,” Boston, Annual Meeting of the Archaeological Institute of America, January 2018

“Promising Stories: New Research on Paints and Pigments in Ancient Persia and the Near East,” Opening-day Symposium for “Gods in Color: Polychromy in the Ancient World,” San Francisco Legion of Honor Museum, October 2017    

“Mesopotamian Cultures in Washington, D.C. (1882-2017): A Rapid Review,” Evening Lecture, Iraqi Embassy, Washington, D.C., September 2017  

“Cultural Heritage in Yemen: A Year in Review,” World Heritage Day, co-organized by the American Schools of Oriental Research and the Archaeological Institute of America, Smithsonian Institution, Hirshhorn Museum, April 2016   

“Taking Care of Color in Persepolis: New Research on Painters, Palaces and Polychromies in Achaemenid Persepolis, c. 520-330 BCE,” University of Chicago, Oriental Institute Museum, November 2015  

“Reading Mason’s Marks and Building Technologies at Achaemenid Persepolis, Iran,” University of Pennsylvania, Symposium “Against Gravity: Building Practices in the Pre-Industrial World,” March 2015

Courses

  • HA 111 – History of Western Art and Civilization: Ancient to Medieval
  • HA 121 – Ancient Cities: The Eastern Mediterranean World
  • HA 208 – Earth Matters: Art & Environment in Ancient Egypt and Western Asia
  • HA 214 – Art in New York
  • HA 362 – Museum Professions and Administration
  • HA 461 – Senior Seminar: Museum Exhibition
  • HA 462 – Art and Ethics
©