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In this section

Additional Faculty

Jean Amato, English and Communication Studies

  • FI 244 — Major Movements in Chinese, Japanese and Korean Film
  • FI 245 — Chinese Cinema
  • FI 343 — Contemporary Chinese Cinema (Honors)

Ron Amato, Photography

  • PH 331— Lighting for Still and Moving Images

Peter Bardazzi, Photography

  • PH 283 — Framing the Shot

Rebecca Bauman, Modern Languages and Cultures

  • FI 335 — Film Genres: Melodrama

Isabella Bertoletti, Modern Languages and Cultures

  • FI 246 — Italian Cinema

Michael Bowen, Film, Media, and Performing Arts

  • FI 111 — Introduction to Film
  • FI 221 — History of Film, beginnings to 1959
  • FI 223 — Women Make Movies: A History of Women’s Filmmaking
  • FI 273 — The Other Hollywood: Film in New York

Anna Blume, History of Art

  • FI 242 — Ethnographic Film

Maryanne Carbon, Film, Media, and Performing Arts

  • FI 261 — Introduction to Sound

Vincent DiFate, Illustration

  • FI 332 — The Science Fiction Film
  • FI 334 — Film Genres: Films of the Supernatural

Brian Emery, Photography

  • PH 181— Shooting the Narrative: Visual Storytelling II
  • PHxxx — Editing Concepts

Steven Fechter, Fim, Media, and Performing Arts

  • FI 256 — Screenwriting I
  • FI 356 — Screenwriting II

Ted Folke, Film, Media, and Performing Arts

  • FI 325 — Great Directors: Akira Kurosawa
  • FI 3xx — Great Directors: Federico Fellini

Lourdes Font, History of Art

  • FI 262 — Costume and Fashion in Film

Michelle Handelman

  • FI 111 — Introduction to Film
  • FI 231 — Documentary Film
  • FI 232 — Documentary Film Production
  • FI 323 — Sexuality in Cinema
  • FI 461 — Production I
  • FI 462 — Production II

Chad Laird, History of Art

  • FI 234 — Film Genres: Horror

Derek Kane-Meddock, Film, Media, and Performing Arts

  • FI 243 — Television Genres
  • FI 324 — The Romantic Comedy
  • FI 322 — Major Directors: Alfred Hitchcock

Larry Menna, Film, Media, and Performing Arts

  • FI 271 — Fans and Fandom in the Internet Age
  • FI 272 — Introduction to Television Studies

William Mooney

  • FI 111 — Introduction to Film
  • FI 221 — History of Film, beginnings to 1959
  • FI 222 — History of Film, 1960-present
  • FI 331 — Film Genres: Crime Stories
  • FI 341 — French Cinema

Sueyoung Park-Primiano, Film, Media, and Performing Arts

  • FI 111 — Introduction to Film
  • FI 342 — Contemporary Korean Cinema

Martina Schula, Photography

  • PH 181— Shooting the Narrative: Visual Storytelling I

Daniel Shefelman, Illustration

  • FI 333 — Film Genres: Animation

Sean Sullivan, Photography

  • PH 282 — Basic Video Editing

Richard Turnbull, History of Art

  • FI 241 — History of Russian and Soviet Cinema

Mario Valero, Modern Languages and Cultures

  • FI 225 — Latin American Cinema and Resistance

Andrew Weinstein, History of Art

  • FI 224 — Avant-Garde Film
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