|Big Data – Telling Human Stories Through Numbers
FIT Media Club
January 25, 2014 - February 8, 2014
Big Data – Telling Human Stories Through Numbers explored the world of data, information, and numbers through artistic vision. The works included were a response to the changing world of the Information Age that we are living in. Instead of using the power of information for political or business-oriented goals, designers and artists in this exhibition used results of their quantitative research to tell the their stories.
The Media Design Club at FIT (MDC) was established in 2009 by Prof. C. J. Yeh from the Communication Design Department. It brings together students interested in digital media together outside of the traditional classroom setting. Currently, MDC has over 200 members from Communication Design (AAS), Graphic Design (BFA), Advertising Design (BFA), Computer Graphics (BFA), and Illustration (AAS) programs. It is one of the most active student clubs at FIT.
|Butch Chanel, Wigstock, NYC, 1992. Photograph by Michael James O'Brien c.2013.||A Queer History of Fashion: From the Closet to the Catwalk
Special Exhibitions Gallery
September 13, 2013 - January 4, 2014
Visit the Exhibition Website
See the exhibition Facebook page.
From Cristobal Balenciaga and Christian Dior to Yves Saint Laurent and Alexander McQueen, many of the greatest fashion designers of the past century have been gay. Indeed, it is widely believed that most male fashion designers are gay. Is this just a stereotype? Or do gay men really have a special relationship with fashion? To what extent have lesbians, bisexuals and transgender people also made significant contributions to fashion? Fashion and style have played an important role within the LGBTQ (lesbian-gay-bisexual-transgender-queer) community, both pre- and post-Stonewall, and even as early as the eighteenth century. Yet surprisingly little has been researched about high fashion as a site of gay cultural production.
A Queer History of Fashion: From the Closet to the Catwalk sought to explore the “gayness” or “queerness” of fashion by drawing attention to the historic presence of gay men, lesbians, bisexuals, and transgender and other “queer” people in the fashion system. The exhibition also looked at the creativity and resistance to oppression expressed by LGBTQ subcultural styles.
Curated by Fred Dennis, senior curator of costume, and Valerie Steele, director and chief curator of The Museum at FIT, with exhibition design by award-winning architect Joel Sanders, the exhibition featured approximately 100 ensembles spanning more than a century of fashion. Organized in roughly chronological order, the exhibition explored the history of modern fashion through the lens of gay and lesbian life and culture, addressing subjects including androgyny, dandyism, idealizing and transgressive aesthetic styles, and the influence of subcultural and street styles, including drag, leather, and uniforms.
The exhibition was accompanied by a symposium (November 8-9, 2013) and a scholarly, multi-author book published by Yale University Press, as well as a free public lecture series, exhibition tours, and an educational website, with the goal of helping to foster a climate of inclusion for those who have often been marginalized due to their sexual orientation, gender identity, or gendered expression. The exhibition and programs were supported by The Diversity Council of FIT. Special thanks to the Advisory Committee.
|Dreams Lived, Dreams Shattered: MLK, JFK 50 years later
Work of MFA Illustration Students and Faculty
November 9 - December 7, 2013
Students and faculty of the MFA in Illustration program at FIT visually reflect on the 50th anniversary of two seminal events in American History.
|Norman Norell, dress, red wool crepe and satin, 1962, USA, gift of Claudia Halley.||RetroSpective
Fashion and Textile History Gallery
May 22 - November 16, 2013
Visit the exhibition page or the online exhibition for more info and images.
RetroSpective explored fashion’s relationship with its own history. The speed of the fashion cycle is faster than ever, and yet, in the constant drive for newness, the past is often used as a point of reference. Many contemporary designers embrace looking back at fashion history as a fundamental part of the design process. In doing so, they create inventive and modern re-interpretations of everything from crinolines to “flapper” dresses. As cutting-edge designer Yohji Yamamoto once said, “Going to the future means you have to use your past.”